Singular impressions. The monotype in America.

Unser Preis:
59,90 EUR
zzgl. 3,00 EUR Versand
Nur noch wenige Exemplare am Lager.
Versandfertig in der Regel binnen 1-2 Werktagen.

Buchbeschreibung
Washington, DC ; London : Smithsonian Institution Press, 1997.
Mit zahlr. auch farb. Abb. Fadengehefteter Originalpappband mit Schutzumschlag. X, 212 S.
ISBN-10: 1560987375
ISBN-13: 9781560987376
Ein gutes und sauberes Exemplar. - The monotype is a "printed drawing" made with ink or oil paint on a smooth surface such as glass or a metal plate and then pressed onto paper before the image has dried. The medium has appealed to American artists since the early 1880s, when an etching revival inspired interest in the uniquely wiped plates of Rembrandt and Whistler. Throughout the twentieth century, artists have relished the simplicity of the technique and the spontaneity of its chance effects, but when the monotype reemerged as a popular printmaking process during the 1970s and 1980s, few were aware of its history. This comprehensive survey of the monotype in America discusses the work of more than one hundred artists who, attracted by the medium's intimacy and freedom, made prints ranging from the romantic, pastoral landscapes of Bostonian Charles Alvah Walker to the Savarin-can "self-portraits" of Jasper Johns. Whether created as a brief fling with the technique by John Singer Sargent or as a sustained exploration of its subtleties by Maurice Prendergast, monotypes have attracted countless artists who usually work in other media. Describing how artists invented new methods and variations on the basic process, Joann Moser analyzes the role of the monotype in the "Black and White" exhibitions of New York's Salmagundi Club, at the 1915 Panama-Pacific Exposition in San Francisco, and in 1920s artists' communities from Provincetown to Taos. It was not until the 1970s that the monotype emerged as an alternative to the technical, structured enterprise that printmaking had become. Recognizing no rules or boundaries, artists pushed the previous limits of the medium to create a richer, more complex, more versatile means of expression. ISBN 9781560987376
3980 weitere Angebote in Kunstgeschichte verfügbar

Buchfreund-Artikel zu den Favoriten hinzufügen:

Antiquarische Bücher, die auch interessant für Sie sein könnten

  1. Künstlerischer Austausch. Artistic Exchange. Akten des XXVIII. Internationalen Kongresses für Kunstgeschichte Berlin, 15.-20. Juli 1992.

    Künstlerischer Austausch. Artistic Exchange. Akten des XXVIII. Internationalen Kongresses für Kunstgeschichte Berlin, 15.-20. Juli 1992.

    Gaethgens, Thomas W. (Hrsg.): Band 1 - 3. Akademie Vlg., 1993. Originalleinen mit Schutzumschlag. ...
    ISBN: 3050022965, EAN: 9783050022963, Bestell-Nr.: 1009692, Nur noch wenige Exemplare am Lager.

  2. 200 Jahre Kunstgeschichte in München. Positionen - Perspektiven - Polemik 1780 - 1980.

    200 Jahre Kunstgeschichte in München. Positionen - Perspektiven - Polemik 1780 - 1980.

    Drude, Christian und Hubertus Kohle: Münchener Universitätsschriften des Instituts für Kunstgeschichte 2. München, Berlin: Deutscher Kunstverlag, 2003 ...
    ISBN: 3422064087, EAN: 9783422064089, Bestell-Nr.: 906688, Nur noch wenige Exemplare am Lager.

  3. (5 BÄNDE) Handbuch der Kunstgeschichte.

    (5 BÄNDE) Handbuch der Kunstgeschichte.

    Springer, Anton: E.A. Seemann; Leipzig, 1895. 5 Originalleinenbände. ...
    Bestell-Nr.: 1082027, Nur noch wenige Exemplare am Lager.

  4. Fritz Burger (1877-1916) - "eine neue Kunstgeschichte".

    Fritz Burger (1877-1916) - "eine neue Kunstgeschichte".

    Pfisterer, Ulrich (Hg.): Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München Band 43. Passau : Dietmar Klinger Verlag, 2016. Mit z ...
    ISBN: 3863281489 EAN: 9783863281489, Bestell-Nr.: 1077937, Nur noch wenige Exemplare am Lager.

Impressum / Datenschutz
Diese Antiquariatsportal-Seite ist ein Projekt der w+h GmbH
Copyright by w+h GmbH 2003 - 2019